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_sweet-smoke-darkness-to-light-1973-usa-psychedelic-jazz-rock.webp "Sweet Smoke – Darkness To Light 1973 (USA, Psychedelic-Jazz Rock)<br/><br/>The band's second studio album. Recorded by virtually the entire Sweet Smoke community, including friends and family, it differs greatly from the first album, revealing the Indian influences that Sweet Smoke acquired in 1972, much like the Beatles did when they went to India to live with a guru.Sweet Smoke recorded just two studio albums, this the second one being released in 1972. After finding some success in Europe with their first album \")
_group-sax.webp "Release - Topic")
_group-sax-124-friday-live-extra.webp "Nebraska Public Media")
_forest-green-forest-green-1973-us-brass-jazz-prog-rock.webp "Forest Green - Forest Green (1973 us, brass jazz prog rock)<br/><br/>Since its formation in the Spring of 1970, Forest Green has devoted itself to a full-time, eminently professional exploration of its roots, influences, and the techniques at its command. Combining sensibilities hat stem and range from classical to the self-widening channels of improvisational jazz, <br/><br/>Forest Green puts together a sound that is at once logical, tight, and satisfying. Most importantly, what emerges from the sophisticated incorporation of elements as diverse as a Big Band Sound or a Latin Pulse - is an exuberant lyrical innocence; a sense of wonder at all the wit and emotion that music may convey.<br/><br/>True then to the City of Philadelphia whose sound Forest Green has helped to further define, and to all others now interested in their music, Forest Green delivers a message of Youth and Life aspiring to newer, more progressive horizons.<br/>by Matt Damsker, Associate Editor of \")
_play-that-sax-sgsdance-mini-jazz-group.webp "SGSDance")
_group-sax.webp "Bob Sass - Topic")
_jesse-ed-davis-keep-me-comin39-1973.webp "Jesse Ed Davis - Keep Me Comin' (1973 us, electrified blues, Southern fried rocked up r'n'b, greasy funk, freaky soul jazz and country rock)<br/><br/>Charismatic Jesse Ed Davis was truly one of the rare breed known as a “guitarist’s guitarist.” On session after session in the late 1960s and 1970s, he epitomized the concept of playing for the song, drawing deeply from country, blues, rock, and R&B influences without mimicking anyone. He recorded with three of the Beatles and blues giants John Lee Hooker, B.B. King, Lightnin’ Hopkins, and Albert King. He appeared in the film Concert for Bangladesh and played sessions with Eric Clapton, Gene Clark, Neil Diamond, John Trudell, and many others. He released three solo albums on major labels. And yet despite these accomplishments, Jesse Ed Davis remains best known for his work on the early Taj Mahal albums and for being “the guy who inspired Duane Allman to play slide guitar.”<br/><br/>True, Jesse created the signature riff used by Duane for the Allman Brothers Band’s “Statesboro Blues,” as well as the bottleneck on Eric Clapton’s “Hello Old Friend.” But slide was just one facet of Davis’ widespread talent. He created many memorable hooks. Playing fingers-and-pick country on his trademark Telecaster, he could fire off multiple-string bends and double-stops as naturally as a Nashville cat<br/>1. Big Dipper - 0:00<br/><br/>2. She's A Pain (Jesse Davis, John Angelos) - 1:41<br/><br/>3. Where Am I Now (When I Need Me) (Jesse Davis, John Angelos) – 4:32<br/><br/>4. Natural Anthem – 7:48<br/><br/>5. Who Pulled The Plug? (John Angelos) - 13:25<br/><br/>6. Ching Ching China Boy (Jesse Davis, John Angelos) – 18:27<br/><br/>7. Bacon Fat (Andre Williams) – 21:23<br/><br/>8. No Diga Mas (James Gordon) – 25:55<br/><br/>9. 6:00 Bugalu - 26:39<br/><br/>10.Keep Me Comin' (Jesse Davis, John Angelos) – 32:40<br/><br/><br/>Songs 1,4,9 written by Jesse Davis<br/><br/>Staff<br/><br/>*Jesse Ed Davis – Guitar, Vocals<br/>*John Angelos - Harmonica, Vocals<br/>*Gary Barone - Flugelhorn, Trumpet<br/>*George Bohannon - Trombone<br/>*Bobby Bruce - Fiddle, Violin<br/>*Billy Davis – Vocals<br/>*Oma Drake - Vocals<br/>*Jacques Ellis - Trombone<br/>*Felix “Flaco” Falcon – Percussion<br/>*Bob Glaub - Bass<br/>*James Gordon - Clavinet, Keyboards, Piano<br/>*Howard E. Johnson - Baritone Sax<br/>*Jerry Jumonville - Alto Sax<br/>*Jim Keltner – Drums<br/>*Chris ODell – Vocals<br/>*Bill Plummer - Double Bass<br/>*Russell Saunkeah – Vocals<br/>*Clifford Scott - Tenor Sax<br/>*John Smith - Tenor Sax<br/>*Julie Tillman – Vocals<br/>*Bobby Torres - Congas<br/>*Carolyn Willis – Vocals<br/><br/>⚠ If there are any copyright issues please contact me. I will remove the video.<br/>Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for \")
_sax-fire-group-official-promo-video-2019.webp "MP")
_azis-group-sax-tallava-2025-124-studio-ali-baba-tv-gsm-0876-6565-55.webp "STUDIO ALIBABA TV")
_9234uptown-funk9234-mark-ronson-ft-bruno-mars-the-cannonball-band-saxophone-cover-ft-eric-darius.webp "Cannonball Music")
⏲ 7 minutes 23 seconds 👁 3.2M
_group-sax.webp "Bob Sass - Topic")
_ork-azis-group-sax-tallava-2022.webp "Studio Muzikalinka")
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